REVIEW: Head Automatica at the Relentless Garage, 6 August 2012

On doing some pre-gig research for Monday’s show, we discovered that the opening act, Worship, are classed by last.fm as “doom metal”. It doesn’t sound very promising, does it? We were expecting beards, and not the good kind. Imagine our surprise when Worship turned out to be three skinny indie lads from Reading and apparently not the band referred to on Last.fm. We were even more surprise when they turned out to be kind of brilliant. Imagine if HIM mated with White Lies and spawned a kind of weird electro, metal, funeral dirge baby. I think their sound could best be described as mesmeric and I can’t argue with The Guardian’s description, ‘sounds like a sonic cathedral.’ I suppose the only concern is that they’ve potentially stuck themselves with a bit of a naff name and they might need better stage banter than, “We’re selling vinyl. We don’t know where it is.”

So with the unusual occurrence of a brilliant opening act we expected great and wonderful things from Head Automatica. It appeared that Head Automatica also expected great and wonderful things from the audience. Unfortunately they decided to play a set comprised almost entirely of songs from an album they recorded but never released in 2009. Consequently it was material that was very familiar to the band but completely unfamiliar to the crowd, leaving both sides increasingly more frustrated with every song. It might have worked if the new material was electrifying but it all spiralled off into some kind of Howard Moon-esque 80’s jazz trance that was almost unlistenable.

To add insult to injury,when they did decide to play known material they went for unusual arrangements that rendered the original songs almost unrecognisable. For the most part the new arrangements were… ponderous. The Razor was brilliant. Beating Heart Baby was a disatrous. Half way through people started walking out, much to Daryl Palumbo’s evident disgust. It was genuinely one of the most bizarre and self-indulgent gigs I’ve ever been to and from the post-gig twitter comments, the feeling was shared by most of the audience. When a band performs only for their own entertainment, they can’t be annoyed when the audience fails to be entertained. Somehow I can’t imagine we’re going to see Head Automatica back in London anytime soon or that anyone will care.

2 Comments

  1. Good point about The Razor, was definitely the best of the reworkings, however much that means.

  2. Yup, was definately left extremely dissapointed. Wish I had gone to another show which was on the same time instead 😦

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